Template II
Opening night run of show
Opening night has two shows: the one on stage and the one in the lobby, and only one of them got a tech week. This run of show keeps the second one on schedule, from the afternoon notes session to the last guest at the party. Adjust it to your house, your curtain time, and your company’s traditions.
Afternoon
| Time | What happens | Who | Notes |
|---|---|---|---|
| 1:00 PM | Final notes session | Director, cast, stage management | Short and kind; tonight is not the night for new blocking |
| 2:00 PM | Flowers and gifts delivered to stage door | Company manager, stage door staff | Logged by recipient and held until the half |
| 3:00 PM | Press check-in desk set | Press rep, FOH staff | Table, press list, tickets in labeled envelopes, and printed press kits |
| 3:30 PM | Step-and-repeat set | Production manager, events lead | Lit and tested, with a clear path past it for guests who skip photos |
| 4:00 PM | Lobby and bar set | House manager, bar manager | Signage up, will call tables set, and accessible routes clear |
| 4:30 PM | Party venue check | Events lead | Catering, bar, sound, coat check, and the guest list at the door |
| 5:15 PM | FOH staff call and briefing | House manager | Ushers, bar, box office, and security: the lanes, accessibility, and who handles problem tickets |
| 5:30 PM | Will call opens | Box office manager | Early pickups take pressure off the 6:15 PM rush |
| 5:45 PM | Pre-show checks | Stage management, cast, crew | Fight call, mic check, and preset as usual; the occasion doesn’t change the checklist |
Doors and lobby
Lobby doors at 6:15 PM; the house opens at the half.
| Time | What happens | Who | Notes |
|---|---|---|---|
| 6:00 PM | Photographers in position | Press rep | Arrivals photos at the step-and-repeat |
| 6:15 PM | Lobby doors open | House manager | Will call, VIP, and press lanes all open at once |
| 6:15 PM | VIP lane | Events lead, FOH staff | Named list for producers, board, and VIP guests; escorted to the pre-show reception |
| 6:15 PM | Press lane | Press rep | Tickets and press kits handed over; critics shown a quiet route to their seats |
| 6:15 PM | Will call | Box office | Lines split alphabetically, with one floater for problem tickets |
| 6:30 PM | The half | Stage manager | Called backstage; flowers and cards go to dressing rooms now |
| 6:30 PM | House opens | House manager | On the stage manager’s go; ushers seat by section |
| 6:45 PM | Fifteen-minute call | Stage manager, house manager | Backstage call; lobby chimes, and the VIP reception wraps |
| 6:55 PM | Places | Stage manager | Called backstage five minutes before curtain; FOH clears the lobby |
| 6:58 PM | House to the stage manager | House manager | The house is given; latecomers wait for the first late-seating point |
The show
Sample running times: a 70-minute first act, a 20-minute intermission, and a 55-minute second act.
| Time | What happens | Who | Notes |
|---|---|---|---|
| 7:00 PM | Curtain | Stage manager | Any opening night hold is agreed in advance and kept short |
| 7:00 PM | Late seating | House manager, ushers | Latecomers seated only at the agreed hold point |
| 8:10 PM | Intermission | House manager, bar staff | Bar service with preordered drinks waiting; someone watching the restroom lines |
| 8:10 PM | Press check-in | Press rep | Available, not hovering; nobody asks a critic what they think |
| 8:25 PM | Five-minute call | Stage manager, house manager | Lobby chimes; the bar closes |
| 8:30 PM | Second act | Stage manager | Goes once the house manager gives the house |
| 9:25 PM | Final curtain | Stage manager | Running time logged in the performance report |
Curtain call and after
| Time | What happens | Who | Notes |
|---|---|---|---|
| 9:25 PM | Bows | Cast, stage management | The rehearsed curtain call; a creative team bow only if it was rehearsed too |
| 9:30 PM | Opening night speech (optional) | Producer or artistic director | Two minutes, thanks only; handheld mic preset in the wings |
| 9:35 PM | House exits | House manager, ushers | Party guests pointed to the walking route or shuttles |
| 9:35 PM | Company moment backstage | Company manager, stage manager | A few minutes for the company alone before the public part of the night |
| 9:50 PM | Cast to the party | Company manager | Out through the stage door with a staffer; a set time limit for autographs |
| 10:00 PM | Theater secured | Stage manager, house manager | Performance and house reports filed; flowers and gifts sorted for pickup |
The party
| Time | What happens | Who | Notes |
|---|---|---|---|
| 9:45 PM | Party doors open | Events lead, venue staff | Guest list and wristband check at the door; coat check staffed |
| 10:05 PM | Cast arrives | Company manager, press rep | One photo moment on arrival, then the cast is off duty |
| 10:15 PM | Toast | Producer | One short toast, not a microphone tour |
| 10:30 PM | Second food service | Catering | The cast hasn’t eaten since the afternoon; make sure they can |
| 10:45 PM | Reviews, if notices are due tonight | Press rep, producers | Read in a side room first; producers decide when and how the company hears |
| 12:30 AM | Last call | Bar staff | Water out, coats ready, and rides lined up at the door |
| 1:00 AM | Party ends | Events lead | Collect lost and found; settle with the venue the next day |